Aug. 26th, 2019

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I'm sorry I'm so bad at posting... I occasionally tweet ([personal profile] shark_hat) if anybody wants to keep up with me?

Some SFF authors I've really liked in the last couple of years: Andrea K Host (now one of my main comfort rereads), Katherine Addison (only has The Goblin Emperor under that pen name BUT THERE'S GOING TO BE A SEQUEL!), Becky Chambers, T. Kingfisher, Martha Wells, J. Kathleen Cheney, Sylvia Hunter, Zen Cho, Sarah Tolmie, Kaia Sonderby, A.M. Dellamonica. Bujold, of course.

Otherwise, old mysteries- companies republishing 20s/30s stuff has been cool. Modern mysteries, Donna Andrews' bird-themed series is a nice cosy wihtout being too twee. I've also been reading some romance/chick lit; Shira Glassman has some nice lesbian romances, Trisha Ashley's books have a nice sense of place in Northern England and fun characters (I particularly liked Every Woman for Herself, in which the protag accidentally kills a sexual harasser early on. It's lighthearted!)
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Starting with notes from the two-man Macbeth since I know someone who's actually interested; more shows under the cut. These are slightly-tidied "notes to self".

Macbeth: Tim Fitzhigham and Thom Tuck, with a different guest director every day. Ahh it was so fun! I wish I’d gone a couple of times to see different directors.

In the basement of a cafe, so Fitzhigham’s kid firmly shut the door on the audience until they’d finished converting the room from cafe to venue (someone in the queue behind me said appreciatively “He has a great future in front-of-house”.)

“Two actors and one hour is arguably not enough to do Macbeth”. Tech problems at the start- no sound or light- "we did have a tech, but he refused to work with us"; (I got leaned on as T. looked for a number on the lights).
Directed by Canadian Chris Betts, as a family sitcom. Most characters got a round of applause for coming on, audience provided canned laughter. Messenger was comic postman.
Fitzhigham as Macbeth-as-Fonzie (stealing Banquo's normal leather jacket and looking quite sexy). Ross as, well, Ross from Friends. Banquo (Tuck) as idiot.
Witches distinguished mainly by height, leading to F having to pick T up for quite a long speech. Also quick burst of "I look down on her... "
(One witch was suddenly turned to Texan partway through; F started singing Duelling Banjos. T: isn't that Louisiana? F: they're pretty close together. T: No they aren't! F: I'm a fellow of the Royal Geographical Society!) Lady M falsetto. Got as far as killing the king with only minimal skipping, then went pretty much straight to "my mum had a cesarean", stab.
(They did pause for Macbeth to kill Banquo, which F was very happy to do. T played both Banquo's ghost and Lady M's ghost largely by opening his mouth and bobbing a bit.) The "is this a dagger" speech was done as the leading man's bid to be a film actor, way too intense.
“It's your line” “- it's definitely your line.”
One small character of Tuck’s was given the note of "it's the producer's kid, he can't act". F: "Typecasting"
T hadn't learnt the letter from M to Lady M, making it a bit of a problem when he was plunged into darkness. (F: "Should have learnt it" T: *flips bird*)

https://www.comedy.co.uk/fringe/2019/features/thom_tuck_macbeth_interview/

Copstick review (which Thom disparaged) https://www.scotsman.com/arts-and-culture/edinburgh-festivals/comedy-review-tim-fitzhigham-and-thom-tuck-in-macbeth-heroes-black-medicine-edinburgh-1-4977829

ACMS, Questing Time, World of Sport, etc )

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